![]() If the tape was stuck, snagged or stretched, that is another matter. If the sudden lack of back tension from the supply reel really messed up the sound, it would not work. As a reel nears its end, the engineer pulls out a long length of free tape, cuts it, splices a new supply reel on and continues recording in real time. However, in a pay audio library, this sound would. The whole principle of "flying edits" relies on this consistency. How to download and/or use these sounds 0.00 and Royalty Free (+ info here). The tape is pulled by a capstan an pinch roller - which are designed for the express purpose of moving the tape through at a constant speed, regardless of the pack of the tape or the amount of tape remaining on the supply or take-up reels. So, technically, to get the best sound you should play the tape all the way through every single time before you rewind?on any decent deck, the "pack" of the tape is going to exert a minimal effect on the travel of the tape over the heads ![]() Are you saying to rewind by hand? How would I change the rewind speed when there is only one button for rewind - simply by stopping and starting the rewind as you say? I never knew that I was supposed to rewind fully anyway. Sorry, but I'm still not quite sure I get what you are saying. If you can access the cassette in the transport while running by removing the dust cover, then you can try applying pressure to the cassette to play with the ![]() If the deck has a pitch/speed control you can play with that. If you deliberately want uneven winding for effect, then the 120 minute cassettes will do that the easiest. Most people tracking to cassettes were using the shortest tapes possible, because the longer the tape, the greater likelihood of slack in the tape. So, technically, to get the best sound you should play the tape all the way through every single time before you rewind?Ideally, you should keep the tension even and make sure the tape is evenly wound before tracking or dubbing. You could probably exceed even YOUR worst-case scenario very quickly, so you might want to do just a tiny bit at a time and then listen. of an extra tape deck that recorded all the copy slices sequences (i.e. I have no idea "how" bad you want it to be, but IMO, you could probably go "too far" with very little effort. This entry provides an overview of audio editing, including its history and. You could insert some paper clips or toothpicks to keep the tape from making full contact with the heads. Most of these are going to be "one way" alterations. Similarly, the tape guides could be bent or even removed so that the tape did not ride smoothly across the heads. You might even want to flatten out one side or put a bend in the capstan itself. So if you took some sandpaper or a nail file and wore out a few 'dents' in the surface of the rubber, your tape transport would be horrendous. This roller should be as round and smooth as possible to minimize wow and flutter. The first point of attack would be the pinch roller. I am considering selling it, but assuming you weren't being sarcastic, what else could I get out of it? ![]() Of course it's not exactly alike, but it's just as "good". It seems like everything I can do, I can replicate in a DAW easily. It's all full-text searchable.I am actually not entirely happy with what I am getting out of it. Catalog your amplifier and pedal settings. Using the power of Quicktime, TapeDeck can export to a variety of other audio formats, including WAV, AIFF, and even MP3 by using a third-party QuickTime component. TapeDeck will Create an animated movie of your tapes and ship them off to YouTube for you. Share your tapes with the world in one easy step. Quickly search tapes by title, color, date, and quality, using the search field. ALVIN!Įverything you've ever recorded with TapeDeck is available, in chronological order, in your tape box. FFWD to skip ahead, complete with sped-up audio. Press REW in the middle of playback to review what you just heard. So much more convenient than plastic audiocassettes. Send tapes to iTunes for listening on your iPod or tv. You'll find yourself clicking REC just to watch the tape spin! The TapeDeck UI is chock-full of animations and sound effects. Using the Apple Lossless Audio Codec, TapeDeck can capture your tapes with full fidelity, so you can ensure your musical ideas are kept intact when moved to Garage Band, or Logic. You're always one click (or keystroke) away from a new recording, and your tape is automatically saved when you hit STOP It’s just like your old analog tape recorder, only better. TapeDeck is a powerful and fun new audio recorder for Mac OS X Leopard.
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